Influence of Nuclear Destruction on the Evolution of Japan Essay

Influence of Nuclear Destruction on the Evolution of Japan The strangest thing was the silence. It was one of the most unforgettable impressions I have. Youd estimate that people would be panic-stricken, running, yelling. Not at Hiroshima. They moved in slow motion, like figures in a silent movie, shuffling through the dust and smoke. I heard thousands of people breathing the words, water, give me water. Many simply dropped to the ground and died.Setsuko ThurlowIn a flash, 120,000 corporeal humans are destroyed. The bombings of Hiroshima and Nagasaki remind us of the repelling power humans can unleash, and the horrors of nuclear demolition. So if we as Americans are distressed about this event, imagine what the Japanese think. The bombings are still very salute in the minds of Japanese, and one does not have to look very far to see evidence of this. Everyday Japanese remind themselves of the past through pop culture. Japanese animation (usually referred to as ani me), manga comics and feature films all firmly rely on nuclear war or apocalyptic weaponry as either the main story or a huge plot device. Such a cataclysmic, culturally altering event is difficult to forget. The memory of the nuclear destruction at the end of WWII is ingrained in Japans collective unconscious, as radiateed in everyday pieces of Japanese popular culture, especially anime films and manga. Japanese are still suffering from the sociological and physiological after-effects of the bombs dropped on Hiroshima and Nagasaki (Kawasaki 20). The direct victims and survivors of the bombings, called hibakusha, are not the only casualties of this event. Beyond these people, their friends and relatives all share a coll... ...nk heavily about reality, existence, and time. While viewers need not constantly think of the nuclear destruction that brought about this art, it is important to once in awhile reflect on how this reality came to be, and recognize history and the changing face of a nation.Works CitedAkira. Special Edition. Pioneer Entertainment, 2001.Grave of the Fireflies. Cmp/Us Manga Corps, 1988.Kawasaki, Shoichiro. A Call from Hibakusha of Hiroshima and Nagasaki. capital of Japan AsahiEvening News, 1978.Linner, Rachelle. City of Silence Listening to Hiroshima. New York Orbis Books, 1995.Munroe, Alexandra. Scream Against the Sky Japanese Art after 1945. New York Harry N. Abrahms, 1994.Neon Genesis Evangelion. stark(a) Collection. A. D. Vision, 2002.Tasker, Peter. The Japanese A Major Exploration of Modern Japan. New York Truman Talley Books, 1987.